Learn 10 unique Piano Accompaniment techniques (Rhythm Patterns/Styles) for the song, Señorita by Shawn Mendes & Camila Cabella taught by Jason Zac
The melody is played on various instruments and the lesson has the moving notation, piano highlighted notes as well as a slow version for easy learning
1. Syncopated - 00:00
A simple rhythm pattern with Root and 5th of the chord in the Left hand and the chord in the Right Hand
2. Spread Voicing - 01:23
Here’s a style of playing the song which works in a lot of modern Electronic music (EDM) Ballads and Hooks. This uses Spread Voicing. More on this topic covered here: https://www.youtube.com/watch?v=buRLaRZGadk
3. Snare Arpeggios - 02:46
Use arpeggios in your Left Hand and end the phrase with a “Snare Hit” - Chord in the Right Hand
4. Guitar-Esque - 04:21
Copy the original version Guitar groove on the Piano with its own unique vibe
5. Accented Arpeggios - 05:47
The Right-hand plays arpeggios in accents of 7+9 while the LH keeps it simple with Chord Roots played as octaves
6. Flamenco - 07:13
Here’s some Spanish flavor on the Piano where you flam the chord in the RH and give it a “Flamenco” texture
7. Latin Pulse - 8:35
Play the chords as pulse in the Right Hand while the LH plays a super cool Latin bass line with spread voicing
8. Oom - Pah! - 09:59
A very popular rhythm, “Oom-Pah!” Is played in the Left Hand while the Right-hand plays a combination of chords and arpeggios with a spicy groove pattern
9. Melody Tease - 11:16
Bring out a hint of the Melody line in the Right Hand while the LH plays chords with a lot of dynamics. Volume control is something you need to hear in this lesson as well as the use of the sustain pedal
10. The Collage - 12:41
Play spread voicings as Pulse in the Left hand while the RH plays a bunch of fun stuff combining arpeggios and chords in an interesting off-beat Latin phrase
FREE Sheet music available here: http://bit.ly/2BIEB80
CONTACT for classes - offline and online (Skype), workshops and inquiries
+91 7760456847 | music@nathanielschool.com
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